- Author News, Deals
- Bad Poetry
- Blog News
- Collaborating and Ghosting
- Current Affairs
- Deep Thoughts
- Favorite Books
- Marketing and Platforms
- Questions from Beginners
- Quick Tips
- Resources for Writing
- Social Media Critique
- The Business of Writing
- The Writing Craft
- Thursdays with Amanda
Category : Resources for Writing
So it’s spring break for most people. You might be heading out of town, or driving to the beach, or trying to find a place to relax and dive into that new book you bought. I’m going the same thing — well… I live at the beach, so I’m not heading there, but I am trying to ditch the crowds find some quiet so I can read today. I have a long list of projects I want to get caught up on, so instead of doing emails and taking phone calls, I’m going to try and get away and just read for a while.
And that, of course, means I don’t think I’ll take the time to create a new blog post. Instead, I’ll let you YOU create it. One simple question: What is the best writing advice you’ve ever received?
It might be something about craft, or a trick you learned, something about writing quickly or leaving writer’s block behind. It could be advice on creating characters, or raising the stakes, or leaving people with a memorable lesson. Whether you write fiction or nonfiction, you’ve no doubt heard (or read) some great bit of wisdom that you took to heart and you noticed it changed your work. Share it with us. Just click on the “comment” bar below and offer the best piece of writing advice you’ve ever received. You’re welcome to give us context, and tell who said it and what the circumstances were, if you want to — but don’t feel you HAVE to. You’re welcome to just offer one sentence with the advice you’ve got.
I do this once each year or so, and I have gleaned some wonderful tips from people over the years. Would love to hear what you have to share with your fellow writers. What’s the best writing advice you’ve ever received?
Here’s the thing with writing contests—they’re kind of like gas station pizza: either an incredibly satisfying experience…or HORRIFYING. And sometimes, you just don’t know which it’s gonna be until it’s all over and you’re smiling in cheesy happiness or tossing your cookies…which in this case would be more like tossing your pepperoni.
[Rambling. Revert course]
So writing contests.
Though I’m no contest guru, I do think we can take our contest experience to a much happier place when we enter the right way…as opposed to the way that may drive you and quite possibly your loved ones up to the brink of batty.
(Some signs that you may be entering the latter way: You’ve got a countdown app on your phone noting the days and hours until the date finalists are to be announced. You’re sure if you DO final, it means you will be published in the next couple months. You’re sure if you DON’T final, God is telling you to stop writing. In short, you slip into obsessed territory. Please don’t go there.)
So here are my suggestions for entering a contest the right way:
1) Enter the contests that give GOOD feedback.
Do you homework about the contest you’re considering. Who are the judges? Talk to past entrants. Do the judges do more than stick a number on a page? Good. Do they offer feedback beyond, “Hated your character’s first name.”? Good. These are the contests you want to enter.
2) And then enter FOR the feedback.
This is the thing with contests: It’s your chance to get professional feedback…for super cheap! Seriously, $40 or $50 to have a published author, agent or editor look at your work is a steal. If you can view this contest as a transaction in which you’re getting a great deal with a solid return on your investment (dude, Dave Ramsey would be so proud!), then finaling or not finaling loses
BY CHIP MACGREGOR
A new writing conference is fast approaching — and you’re invited.
On Saturday, February 15, I will be speaking at the Dallas Writers’ University. It’s a one-day event, with a rather intensive agenda:
- I’ll speak on “developing a book proposal that sells,” and the focus will be on giving practical, hands-on help to writers who want to create a proposal that will get noticed.
- I’ll also be speaking on “creating your long-term publishing strategy,” with an emphasis on traditional publishing, niche publishing, self-publishing, and alternative strategies for writers to make a living.
- Michelle Borquez, bestselling author and entrepreneur, will explore “building a platform around your concept.”
- There will be a Q&A time, and everybody there will have a face to face meeting with me sometime during the day.
- Finally, Michelle and I will be talking about the secret to success in contemporary publishing.
I’m really looking forward to this opportunity. I’ve largely taken time away from conferences the past couple years, but I love talking to authors about proposals and strategy. And you’re invited. Again, every participant gets face time with me, where we’ll be reviewing proposals and talking about next steps in a one-on-one setting. That means our space is limited to just 30 people.
Here’s the thing . . . there are a hundred conferences you can go to in order to get some basic information on writing. But if you really want to join a small group and find out how to create a book that will sell, make some money, and gain entry into the world of publishing by talking to some experienced people in the industry, I hope you’ll consider joining us. I don’t do many conferences anymore (and rarely do a writing conference), so I’m excited to be asked to be part of this one.
The event is going to be in the Dallas area, at a church in White
by MacGregor Literary award-winning author Jill Williamson
When I started writing I was pretty much on my own. I searched long and hard for local writing groups, but couldn’t find one. I tried a few online groups and eventually started one with another YA author I’d met online. We sort of mentored each other as we went along, the blind leading the blind. It wasn’t the worst way to learn. And we did learn. We’re both traditionally published authors now.
I also attended writers conferences, read books on the craft of writing, and read writing blogs. But I never sought out a mentor. I didn’t know how. I was too shy. And I figured they’d all say no, anyway. But once I was published, I liked helping other writers. So I started blogging for teen writers. I figured that there were plenty of blogs out there for adults, so why not create one for teens?
Blogging for teens was a way to share what I’d learned. And I wasn’t the only one with this idea. At a marketing retreat, I got to know Stephanie Morrill who started www.GoTeenWriters.com. She and I talked and decided to combine forces. She had created an amazing blog for teen writers and graciously took me on as a co-blogger. Blogging for teens allows me to speak to hundreds of teen writers every week.
Later on we also put our various blog posts into a book we co-wrote called Go Teen Writers: How to Turn Your First Draft into a Published Book. This book has enabled us to mentor in yet another form and had been read by teen writers all over the world. How cool is that?
I officially mentor two writers. I don’t think I could handle mentoring more than two as it can be very time consuming. But mentoring is also very rewarding. It allows me to give another writer the
GUEST WRITER ANE MULLIGAN
President of the award-winning literary site, Novel Rocket, Ane Mulligan writes Southern-fried fiction served with a tall, sweet iced tea. While a large, floppy straw hat is her favorite, she’s worn many different ones: hairdresser, legislative affairs director (that’s a fancy name for a lobbyist), business manager, drama director and writer. Her lifetime experience provides a plethora of fodder for her Southern-fried fiction (try saying that three times fast). A three-time Genesis finalist, Ane is a published playwright and columnist. She resides in Suwanee, GA, with her artist husband and two very large dogs, and has just returned from the ACFW conference.
Finding Your Voice
Fiction writers are told to find their voice. Well, what is it, and for that matter, how do you find it?
I mastered the mechanics of good writing by learning and following the guidelines or … stay with me here … the rules. It’s kind of like staying between the lines in a coloring book before taking on a blank sheet of art paper. Then, I began to understand when and how to break those rules to turn my manuscript into a symphony of words.
About that same time, I started a new series, and when I sent my critique partners the first chapter, they told me I’d found my voice. Cool. I didn’t know I’d lost it. I mean, I didn’t have laryngitis or even a sore throat.
Okay, I’m being silly and probably not very funny, so you can stop rolling your eyes. In truth, I’d been working on voice. I read Les Edgerton’s book Finding Your Voice. I highly recommend it if you’re still looking for yours.
In Edgerton’s book, he said go back and look at letters you’d written when you were young or at least before you began to write. There was your voice.
As I thought about that, I remembered how our friends always
I’m excited to be able to share with you that Snippet–a brand new publishing and reading app–is moving their Writer Dashboard from private beta to open beta today.
As an author, it’s been amazing to be involved with Snippet. (If you missed my post a couple months ago about how Chip became my agent and how my upcoming book became a Snippet, you can catch up on that here.)
Even though Snippet has already gained thousands of readers, it’s still new, so I’ve included some information below about my own experience and about Snippet in general, to answer some questions you might have.
You can request access to their Writer Dashboard starting today, and begin creating your own Snippet at any time!
What does Snippet mean for writers?
Snippet gives writers a brand new publishing path that allows you to publish and monetize quickly and easily, but in a high quality, beautiful format. (Published Snippets are gorgeous, which was a really important factor for me as an author.)
How does it work?
With the move of Snippet’s Writer Dashboard to open beta, you can sign up to get access and begin creating your Snippet at any time. Each chapter is 1,000 words or less, but you as the author decide how many chapters your Snippet will have. You also have the option of enriching your text with “discoverables” like video, audio, and pictures. (And just a note here: don’t let this part intimidate you; for one of my videos, I simply used my iPad to record myself, and for all of my audio, I used my phone. They turned out great, and it truly enriches the reading experience.) Creating and publishing a Snippet is free, and your published Snippet will be available for download from $ .99 – $4.99. As the author, you choose the price.
What are some ways writers can use Snippet?
1. As a companion
Today we have a guest blog, from Claire Morgan at OEDB…
It doesn’t matter if you’re a student or a professional writer: there’s always something new to learn and ways to make your writing more refined, better researched, and more effective. Writing is essential for students who want to succeed, whether they’re enrolled in one of the top online colleges or an Ivy League university. As essential as it is, learning to write well isn’t easy. The best practices for writing and research can sometimes be subjective, and the finer points of syntax and style often take a backseat to looming deadlines and strict citation guidelines.
Luckily, there are many helpful resources that make it easier to build on your existing skills while
learning new ones. We’ve compiled links to sites dedicated to helping students, bloggers, and professional writers improve their techniques while also becoming better editors and researchers. Browse through the following list or focus on categories you need most. It’s organized by subject and resources are listed alphabetically within. With more than 150 resources to chose from, you’re bound to find something that can make your writing life a little easier.
These blogs can help you learn more about the profession of writing, brush up your skills, and even see what it takes to get a book published.
- Copyblogger: On Copyblogger, Brian Clark offers tips on how to improve the content, marketing, and business of a blog. A must for any writer hoping to gain readership in the digital sphere.
- The Creative Penn: Joanna Penn offers up her insights on writing, publishing, and book marketing on this useful blog.
- Evil Editor: Learn what not to do when submitting your work to an editor through this entertaining blog.
- Fiction Writing: This About.com blog is a great place to get some basics insights on how to write better fiction.
- Harriet the Blog: The Poetry
While our hardworking agents are attending BEA in New York this week, several authors are filling in with guest posts. Enjoy!
Rajdeep Paulus decided to be a writer during her junior year in high school after her English teacher gave her an “F” but told her she had potential. She studied English Literature at Northwestern University, and began writing on the island of Dominica, while her husband of two months biked down to campus to begin his first day of medical school. Fifteen years, four daughters, and a little house on a hill in the quaint town of Locust Valley later, she now writes YAFiction and blogs weekly In Search of Waterfalls.
I’m not the first newbie author to wade through the waters of marketing her first book with a bit of trepidation. Truth be told, when I learned that a writer’s job was not simply to write a great story, sit back and wait for readers to come in flocks to scoop up copies galore, I welcomed the challenge that lay before me. Simply because I’m a tad atypical to the hermit-writer stereotype: I love people and rubbing elbows with the world outside my writing cave.
So when I read a title like “The Extroverted Writer” by Amanda Luedeke, I think, oh, she’s talking about me! When, in fact, she’s composed a book chalk full of practical advice for all types of writers who find the whole marketing thing as messy as a knot on a bad hair-day morning. Something I am all too familiar with since I have four princesses. Hair balls up the ying-yang, but where was I?
Yes. The art of marketing your first book. How do you do it? Successfully? And how do you know how to proportion your time, giving yourself time to write, edit, market and still take time to breathe.
So I began my marketing momentum by brainstorming. A bunch of ideas
A guest post from Holly Lorincz, assistant to Chip MacGregor
Recently, I was forced given the opportunity to learn to master the art of uploading ebooks onto Smashwords and Amazon for this persistent Scottish agent I know. After extracting multiple promises that haggis or blood pudding would never be served at staff parties, I agreed.
I can’t approach the simplest assignment without first reading at least seventeen reference books (the heftier the better), and yet, after all that research and putting my own book up for esale, I’ve really only learned one thing about self-publishing: marketing your ebook is a full time job. Selling it successfully? There’s magic involved and a lot of patient plodding, and messing around with algorithms. I know, I know, I shouldn’t use that word algorithm, since it just screams ‘first period math class.’ Sorry. Unless you’re going to hire a publicist, get used to it. Also, if I’m being totally honest, you may want to bypass the whole formatting and uploading issue, hire a professional, if you have a life away from your computer.
Still here? Okay then. The following is a list of random ebook publishing and marketing tips that I’ve picked up from books, other self-publishers, and my own stumble down the publishing path. Some of it will be common sense and common practice, so just view it as a reminder.
1. Remember those early beta-readers you sought out as you were finishing your book? Remember that one that drove you crazy, the one that only commented on dangling participles, improperly used pronouns and linguistic improbabilities? If you haven’t burned that bridge, find that grammarian and ask him or her to read your book one last time, tasked with catching typos, specifically homonyms and homophones. (Because, you know, spell check silently chuckles when you use the phrase “his voice was a horse whisper.”)
2. Decide if you are going to use KDP Select
Amanda Luedeke is a literary agent with MacGregor Literary. Every Thursday, she posts about growing your author platform. You can follow her on Twitter @amandaluedeke or join her Facebook group to stay current with her wheelings and dealings as an agent. Her author marketing book, The Extroverted Writer, is available from Amazon andBarnes & Noble.
Last night was our GET PUBLISHED teleseminar with Michael Hyatt. What a great time, talking business and answering questions! It was a blast.
We weren’t able to get to some of the submitted questions, so I’ve gone ahead and answered them below. Would love your thoughts on what was discussed during the teleseminar, or what is talked about below.
And don’t forget! We have a special opportunity for friends (that’s you!) of MacGregor Literary.
Michael Hyatt, former CEO and Chairman of Thomas Nelson Publishers (one of the largest publishers in the world), has recently released a comprehensive solution for authors called GET PUBLISHED. It’s a 21 session audio program, accessible online, that distills Michael’s 30+ years of publishing knowledge into a step-by-step guide to help authors get published and launch a successful career, even perhaps a bestseller!
Michael is offering a special limited time discount on GET PUBLISHED. Not only can you save significantly on the program, you’ll also get access to several bonuses worth over $150. Bonuses include items such as Michael’s popular “How to Write a Winning Book Proposal” ebook and more.
For details and to take advantage of this special offer, go to http://michaelhyatt.com/getpublishedoffer
(Note: This discount offer is only available through April 17).
Okay, on to those questions!
Brooke asks: What makes an agent take a chance on a first-time author?
When we fall in love with a fiction author’s story idea and writing, or when we see the potential of the book idea, writing, AND platform of a nonfiction author.
Mark asks: What do you think about