I’m sorry to have dropped out of the teleseminar last week. If you stopped by and were expecting me, I apologize for doing a no-show. Knowing I was going to be talking with Michael Hyatt, I went to a Mexican restaurant and ordered fish tacos for lunch (since everyone knows Mike believes fish tacos are the secret to great book publishing). Anyway, lesson for the day: When eating at a sketchy Mexican place at the beach, stay away from fish tacos. I got sick, and ended up in bed. My apologies, but I hear Mike and Amanda rocked it. Thanks for participating, thanks to Michael for being fabulous, and a huge thank you to Amanda for pinch-hitting and taking leadership of the event.
If I can go back to writing and publishing questions, I thought you’d like to see this question someone sent me: “I’ve been writing for several months now, and I’m trying to figure out what my motivation is. Can you help me understand WHY I want to become a published author?”
A fascinating question. Okay, this may surprise you, but I believe most new writers basically want to get published so that they’ll be famous. They want that thrill of holding up a book with their name emblazoned on the cover, show it to their friends, leave it on their coffee table, maybe peruse a copy at the bookstore and casually mention to someone in the aisle, “You know… I wrote this.” I think most new writers are seeking fame and encouragement, that they believe validity and meaning will arrive out of publication. They see fame as offering a measurable amount of worth and competence.
That’s not to say most new writers don’t also have something they want to say — they do. It’s just that many newer writers struggle with having a worthwhile story. Think about it — we all know it takes a while for a writer to become competent. Rarely do you see a novelist her her first completed wok contracted. The industry average is five complete books… in other words, if you’re starting out, it will probably be your fifth completed novel before you get a contract. That’s why so many writers give up after one or two — it takes persistence to complete five novels before a publisher will pay attention to your work. So, in my opinion, many writers get into the business as a way to express themselves; as a way to get noticed.
Yet most writers who have achieved some level of fame fairly quickly eschew it in favor of craft. They may still enjoy the warmth associated with being recognized, or having someone come up and praise their words, but most successful authors discover that fame is not only fleeting, it doesn’t make us better people or better writers. And that, I think, is why so many successful writers I know spend considerable time attempting to improve their craft. In other words, the best writers are always trying to get better.
If that’s true (and it might be too much of a leap for some readers to accept), then the one thing a beginning writer ought to do is to devote himself or herself to improving their craft of writing. As an agent, I see hundreds of manuscripts every year that I reject for representation. Nearly all of these are rejected for one basic reason: the writer simply isn’t good enough. The ideas may be interesting, and the marketing may be slick, but the authors simply aren’t good enough to publish. That’s a message I’ve tried to get into the heads of beginning writers everywhere: Don’t try seeking “the secret” of writing; improve as a writer. I’ve yet to meet a great writer who is not published.
And how does one go about doing that? I don’t think it’s all that complicated – write regularly and expose yourself to great writing. A beginning writer should read widely, and should focus on great, not just popular, writing. A beginning writer should set aside time to write regularly, and should make writing a habit in his or her life. A beginning writer should find someone who can help him or her improve – a writing instructor, a writing mentor, an experienced editor, even a writing critique group, so long as the members can bring some wisdom to bear on the issue of craft.
I know of no other craft that promotes beginners before they are ready. Surely a young pianist doesn’t take a couple lessons and rent a concert hall to present Rachmaninoff’s “Rhapsody on a Theme of Paganini.” A first-year ballet student doesn’t expect to dance the role of the Sugar Plum Fairy. An artist cannot expect to move directly from paint-by-numbers to creating fine portraits. Yet I often meet beginning writers who are hell-bent on publishing “something.” They often have no clue of their motivation or message (though they can dress it up with spiritual talk and make it sound like “a calling”). What they really want is to be noticed — to have be able to show someone “I did a book.” So my advice to beginning writers is to study the craft of writing by reading and listening to those who already know it, in order to become more like them.
Now, having said that I realize there are those in the industry (including a couple editorial friends) who disagree with me. They think “market” is more important than “craft.” In other words, “Don’t focus on becoming a good writer, focus on creating a salable book.” I understand that thinking, but I don’t agree with it. Right now ANYBODY can get ANYTHING published. Go to Amazon.com, and you can find a way to get anything (your company reports, your school papers, your nutcase political screeds) into print. Lulu and PublishAmerica and Author Solutions will print anything you send them. We’ve made “becoming an author” into the easiest, most-accessible form of “art.” You may not be able to paint well enough to sell a still life, or sing well enough to have a CD in Wal-Mart, or dance well enough to get cast in a show… but you CAN become an author!
Well, I’m sorry, but that’s not really legitimate. One of the things that real publishing professionals provide is a filter. There is training and evaluation involved as agents figure out who can write, and editors determine what is valuable, and publishers produce books that offer something of merit. So part of the role of those of us who work in the industry is to strive toward some sort of quality. As I always say, if I were in this strictly for the money, I’d do porn. (It’s cheap, it’s easy, and there’s a huge market for it.) But I can’t make myself go there, since I still think part of my job is to help writers become better, and to help publishers sell good books.
So what’s the motivation? In writing it’s probably to tell a story, I suppose. We write to inform, to entertain, to expose, to convince, to enlighten — there are a ton of motivations. But from a personal perspective, I think every good writer wants to be a great writer.